Four men and women working at the same bank get entangled in a complicated romance as they discover how far they’re willing to go for love.

John Reese, former CIA paramilitary operative, is presumed dead and teams up with reclusive billionaire Finch to prevent violent crimes in New York City by initiating their own type of justice. With the special training that Reese has had in Covert Operations and Finch's genius software inventing mind, the two are a perfect match for the job that they have to complete. With the help of surveillance equipment, they work "outside the law" and get the right criminal behind bars.

Gabrielle is a successful attorney, married to an adoring husband and mother to a beautiful college age daughter. Yet Gabrielle is haunted by a ghost of her past. Her life unravels when she prosecutes a man who could possibly be her son.

A group of kids on a field trip shockingly discover the bodies of missing children. Their alarming discovery leads to a small western town where the mystery of the slain children's disappearance has created an environment of suspicion and distrust. A curious reporter from the city arrives in town and bribes a bar owner to divulge everything she knows. Gradually, the pieces of this disturbing puzzle; deception, adultery and secret bonds, start falling into place. They hold the key to the mystery of the murdered children.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

In 1609, William Shakespeare published a collection of 154 sonnets, creating what is arguably the greatest lyric sequence in English literature - and at the center of this masterpiece lies a mystery that has endured for centuries. What are the identities of “the young man” and “the dark lady” to whom all but two of the sonnets allude? This moving performance brings to life the gritty reality of Shakespeare’s England, bits of the Bard’s plays and poems, and the consummate poet and dramatist himself as it exposes these personages unseen but so keenly felt in Shakespeare’s sonnets and in his life. Rupert Graves, Tom Sturridge, Indira Varma, Anna Chancellor, and Zoë Wanamaker star. Contains mature themes and explicit language. Some content may be objectionable. Produced by the Open University.

A documentary following the life of Olaudah Equiano, based on his autobiography "The Interesting Narration of the Life of Olaudah Equiano, or Gustavus Vassa the African".

In the 28th century, Valerian and Laureline are special operatives charged with keeping order throughout the human territories. On assignment from the Minister of Defense, the two undertake a mission to Alpha, an ever-expanding metropolis where species from across the universe have converged over centuries to share knowledge, intelligence, and cultures. At the center of Alpha is a mysterious dark force which threatens the peaceful existence of the City of a Thousand Planets, and Valerian and Laureline must race to identify the menace and safeguard not just Alpha, but the future of the universe.

After Nami steals the Going Merry, Roronoa Zoro, Usopp, and later Monkey D. Luffy and Sanji (along with Johnny and Yosaku) set after her and wind up in Cocoyasi Village, Nami's hometown ruled by the tyrannical fishman Arlong. It is here that Nami's past and true motives come to light.